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Reviews2024-03-25T15:09:25+00:00

‘The Leeds Philharmonic Society is the senior choir in the city by date of foundation and by virtue of its continued and very distinguished programme sustained annually since 1870.’

Simon Lindley

The Dream of Gerontius 2014

Press review Leeds Town Hall, Saturday 15th February 2014: The late Mary Wilson of Ilkley sang in the soprano section of Leeds Philharmonic Chorus for an astonishing 52 years before going on to serve as President of the Friends of this famous Leeds choir. It is not difficult to believe that Mary would have been absolutely delighted with

Leeds Philharmonic Chorus and the Hallé

Press review Leeds Town Hall, Saturday 2nd November 2013: Thoughts of war and remembrance permeated this concert of orchestral and choral music. Elgar’s Overture In the South (Alassio) is effectively a tone poem for large orchestra containing an elegiac central section adorned by a ravishing viola solo. Elgar recalls the thoughts and sensations experienced on a glorious

The Hallé, Leeds Philharmonic Chorus and Leeds Festival Chorus

Press review Leeds Town Hall, Saturday 25th May 2013: 20th Century American music made for a refreshing finale to Leeds International Orchestral Season. It was a pity though that John Adams’ Harmonium had to be dropped from the programme, for technical reasons. That left the 200 choristers assembled behind the Hallé Orchestra with just one work lasting less

Mozart, Requiem and Haydn, Little Organ Mass

Press quote A Mozart piano concerto, a rarely performed Haydn Mass and Mozart’s Requiem drew a capacity audience for a concert that will go down as one of the season’s finest. Haydn’s Miss Brevis in B Flat, generally known as the Little Organ Mass, opened the concert. Leeds Philharmonic Chorus’s soft and poignantly sung Dona Nobis Pacem

Requiem and Haydn, Little Organ Mass

Press quote Conductor David Hill found smiles in the Little Organ Mass by Haydn, that master of subtle wit. His choir’s sopranos sounded as though butter wouldn’t melt in the mischievous extended end of the Gloria – written, it is said, to annoy the Esterhazy Chapel clergy. The Chorus were ‘tremendae’ indeed in the Rex tremendae section,

Delius, Mass of Life

Press quote David Hill, music director of Leeds Philharmonic Chorus, clearly in his element marshalling large forces, produced a wonderfully clear and coherent performance. With Hill at the helm, every detail is transparent, every strand of orchestral or choral texture carefully delineated. That is not to imply his performances – although invariably meticulously balanced – are somehow

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